Summary Capsule
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1. COCKROACHES. They simply don't die. It's gotta be very frustrating for a Star Wars villain when you're facing a Jedi, because they just don't go down easily. They slide under the cracks and avoid the big boot, all the while sowing the seeds of a disease that will wipe you off the face of this planet. 2. SUPERMAN. Superman had multiple powers -- so many, in fact, that the creators would simply "forget" ones they had made up, in order to deny Superman an easy solution to his current predicament. The Jedi are a veritable Swiss Army Knife of powers, but they seem to forget they have them from time to time. Every time they were chasing someone on foot in this film, I kept thinking, "Yeah, didn't they have super-fast running in The Phantom Menace?" They prove time and again they can move large heavy objects with some hand waving, yet sometimes forget to do that when they're about to be crushed by factory equipment.
Star Wars: Attack of the Clones (I am proposing an embargo against using the phrase "Episode" in referring to these films) is a film that gives the Star Wars community what they want, for the most part. They wanted Boba Fett, well, they get a two-for-one special here. They wanted more Jedi, well, this baby is ALL about the Jedi. They wanted more Jar-Jar, well... hey, waitaminute! Who ordered the Jar-Jar? Was it YOU? George Lucas, I'm convinced, doesn't necessarily like the little universe he's created any longer. Sure, he's about as analy in control as is possible for a human being to get without direct mind manipulation, but every interview I've seen with him in, he talks in a bored monotone, pleased more with his computer toys than the story and the characters. Maybe it's a power trip -- he certainly has no problem with people falling down to kiss his pudgy little feet -- but I say that if Lucas isn't in love with Star Wars anymore, then he should be a man and give one of the many talented people out there who are in love with the franchise a shot at making a great film that will hold up over decades. Instead, we get pretty graphics and a mediocre story, about which the best thing that most people can say is, "Well, it was better than Phantom Menace." Yeah, well, I can say that about a lot of other films too. This isn't a hate review, because I definitely felt that AOTC was a more enjoyable experience than I had anticipated. The story of the Republic fracturing between the loyalists and the (largely unseen) separatists is a much more interesting backdrop than a trade sanction. And bitter, whiney teenage Anakin is at least a mild step up from chirpy, whiney child Anakin. Obi-Wan Kenobi has grown facial hair in the space between the movies, and now-Senator Amidala has toned her abs. We know this because Lucas practically dangles her off a hook to make her a tempting lust object. Case in point? While fighting for her life in an alien arena, a giant bug just "happens" to rip off half of her shirt to make a Britney Spears-like tank top. The classic Captain Kirk syndrome. I think that I would have died a content, non-cynical person right then if it was revealed that she had a bit of the chub going on. But alas, no. Anakin and Amidala reunite, as Anakin is protecting her from a mysterious assassin whose main weapon is a pair of millipedes. Disturbingly enough, Anakin has been carrying a torch for the now-blossoming Senator, and he's just as ham-handed in wooing her than if he wore a t-shirt that said "Natalie Portman Fan Club" and kept licking his lips. As it is, you will grow to be discomforted by the leering looks that he gives her, along with some of the most painful romantic dialogue ever to hit a science fiction film. "Burning in my heart," check. "Sand is rough but you're so soft," check. "You ask me to be rational, but I'm irrational," check. It was so bad, I couldn't even look at the screen when it was going on. And let's not forget that the last time she had seen him, he was 8 YEARS OLD. A crush is one thing, but an unhealthy fixated obsession with an older girl for a decade before your stalking puts you back in her presence is another. It's creepy, and I think that she kissed him just to shut his mouth. Basically, my feelings on the romance in AOTC is the same as my feelings on the romance in Pearl Harbor -- they could have removed it entirely from the film, and made the movie better in doing so. Getting past the lovey-dovey stuff, AOTC is definitely fixated on adrenaline overdrive. It's an action carnival, with so much to see that you don't know where to look. There's a thrilling flying car ride, much better than the one in The Fifth Element -- although, yet again, they make the future seem like it'll be easy to fly cars without crashing them left and right like we know we would. There are multiple lightsaber battles and duels, there's Jango Fett (Boba's pop) and his arsenal of weaponry, there's a ship battle (but again, unfortunately no large scale fleet action), and there's a ground battle about fifteen times bigger than the Battle of Hoth. It's not easy to be bored with AOTC. In the end, only Yoda really stood out as a noteworthy character, and that's saying a lot seeing as he's purely computer generated this time around. Despite his new look and nearly constant sneers, he does get his brilliant fifteen seconds in the sun, and wowza if it isn't one of the coolest things to hit the screen in about forever. And I'd also be remiss if I didn't say that the title's clones weren't impressive in their arch-typical roles. Heck, I liked the stormtroopers here! I'm sure there's a lot more to say about AOTC, particularly given the weight that it carries as part of the Star Wars legacy. But I feel I've had my say, and I'll entrust my fellow mutants to hit all the bases.
Star Wars Episode II: Attack of the Clones is more than just another increasingly long title (look for Ep 3 to be named "Dawn of the Revenge of the Birth of George Lucas' Massive Ego"), it's the first real bridge between the current generation of Star Wars films and the last one. Finally, some of the intangibles that made the original trilogy so engrossing have crept into the grotesquely bloated style that George Lucas has settled upon with his prequels. He keeps valiantly claiming that he made this movie the way it was originally supposed to have been, but you can tell he's been reading the fans' reactions to Phantom Menace. Gone are the poo jokes. Nearly gone is the imbecilic Jar Jar Binks. There are no more "yippees", and the aliens are far less obnoxious in general (think two-headed race announcers). And there's so much Yoda in the water you could walk on top of it. But we'll come back to that. There's a certain darkness inherent in Attack of the Clones that was lacking in Ep I, and it took its presence here to realize how much I missed it. This is indeed the much darker movie that Lucas promised us. Sure, the death of Qui Gon in TPM was an initial shocker, but there was so little emotional attachment to his character in the first place that it wasn't a lasting feeling. Here in AOTC, we start seeing things more along the lines of what happens to Han in Empire Strikes Back; the characters face real losses and problems, with dire and lasting effects. The audience finally starts finding some reasons to actually care about what happens to Anakin as he begins his inevitable descent into evil. And Christopher Lee's Count Dooku not only manages to be a badass, he represents a real, continuing threat. Countering the dark side of course, are the heroes of the story. If nothing else, the fans can continue to bank on Ewan McGregor's eerie imitation of Sir Alec Guinness. There was barely a scene with Obi Wan in it where I could help but follow what he was doing, his screen presence is so wonderful. Obi Wan conveys the sense of maturity and responsibility that he was (properly) lacking in TPM as he now cajoles Anakin into becoming the Jedi he should be instead of the one he feels like being. The tension between Anakin and Obi Wan when their opinions differed was genuinely uncomfortable, as it should be. Padme Amidala finally gets to grow just an eensy bit, kicking a little butt and just starting to resemble the rebel princess her daughter will one day be. It's not a lot, but it is there, if you look. And Yoda fans rejoice! If you've been itching to see Yoda do more and get lots of screen time, this is your movie. He's everywhere in this movie, trying to quarterback the good Jedi from afar, but definitely not afraid to wade into the thick of things when the situation demands it. The entirely CGI Yoda, while lacking the nostalgic appeal of the puppet, is so expressive that you start getting a real feeling of what's going on in that head of his just by looking at his reactions to events. Whether he's duking it out in saber combat or tenderly teaching a class of children at the Jedi Academy, they put Yoda to work here, and I loved it. As a story of war, AOTC finally really starts to pick up some steam. As massive as the armies were in TPM, again, there was no reason to really cheer the heroes to victory. Here, the action and battles begin to have some involvement. With the exception of the rather contrived Jedi battle in the arena, the action here is remarkable, and works to draw the audience in, instead of pushing it away. (casting the clone troopers against type as the side to cheer for made for a very satisfying switch; you don't trust them, even as they carry out Yoda's orders as obediently as possible and rush to the heroes' aid) And although Justin complains of the lack of a fleet-style space battle, I think it's a good move. It lends a gravity to the ground fighting that similar foot battles have lacked in the past, as though the fact that they're not in space makes them less important. Unlike previous episodes, there's no frenetic switching back and forth between three or four scenes that all demand your attention; you're allowed to soak in the seriousness of bigger, single conflicts. Considering the story is about the wars themselves, we finally get some satisfaction after the faceless armies of TPM. However, as a story of love, Lucas still shows a mystifying lack of ability with his characters. The romance between Padme and Anakin eventually shows signs of believability at the end of the flick, when the action heats up and the couple realizes it's now or never for their feelings. That said, all the awkward flirting lines that were written for Ani to court her with in the first half are unbelievable... no wonder it takes Padme so long to actually warm up to him. (as a side note, I'm nominating Justin's "Natalie Portman Fan Club/licking his lips" line as the FUNNIEST... LINE... EVER) And again, except for moments that were both late and rare, Christensen's performance doesn't exactly foreshadow the genocidal fury his character will one day succumb to. Still, the dialogue throughout is finally starting to regain some respectability. Obi Wan's one liners here and there are expertly delivered, and don't come off as being written for the sake of filling dead air. Sure, you may start to roll your eyes at Threepio's incessant puns, but I kind of enjoyed those (although I think I was alone in the theater when I laughed at them). Mace Windu, however, sounds more than a little out of place when he utters the line "This party's over." Thankfully, there are no three minute science reels about midichlorians. Actually, I don't remember a single reference to the psychic flu bug at all... more evidence that Lucas has left some room to let the fans steer the boat, just a little bit. Although Star Wars has always been head and shoulders above anything else, visually speaking, I have a slight technical complaint: why is it that Lucas makes such a big deal about digital filming having such superiour colour and brightness when most of what he shoots is black space and brown desert planets (TWO this time!)? Whatever, the movie looks as good as it had damn well better at this point. ILM is only about two years' shy of actually generating a holographic Yoda that can come tap dance in my living room and serve me beer, AOTC *should* look as fantastic as it does. Clones is what we hoped Menace would be more like. It's like being the parent of two children, where one grows up to be a relatively successful middle manager, and the other cleans the bathrooms at a strip club. You're forced to like both, but you know full well which one's your favourite. But you also know your little manager isn't perfect... so you hope the next kid is the one that rules the world. We're running out of time before the Star Wars universe closes up forever, and while AOTC is a good step in the right direction, it's still not as godlike as the ravenous fans would have it. With one Episode left up his sleeve, George Lucas has to make the difficult call: should he throw his phenomenal pride aside and make a movie for his audience, or puff out his chest and do it for himself? Don't be that guy, George. Attack of the Clones is a good movie, and not just for being better than Phantom Menace, but it's still well short of the high water mark left by the original movies. Keep the momentum going. You're in the Death Star trench, and you've got one shot left. Make it count. Canuck Alert! You just knew it had to happen... Darth Vader is a Canuck! Hayden Christensen is from my home, Vancouver, British Columbia! Just goes to show that Canadians are... um... evil... Wait a minute...
You know, with 2/3 of the first trilogy completed, it seems clear that these Star Wars prequels must have been meant as television mini-series or something. The acting is overall atrocious, the writing is horrible, and the entertainment factor is practically non-existant. If these movies were first broadcast on tv, I’d be more willing to make and accept excuses for them. But as feature films, Menace and AOTC are serious disappointments. Lots of people seem to like them both, so I guess there is enough here to enjoy if you’re willing to accept sub-par sci-fi. But if you’re looking for another timeless and enjoyable epic like the classic SW films, uh, you’d better hope Episode 3 delivers. Though I wouldn’t bet your toy collection on it.
1. If I wanted to watch a bunch of computer effects that sort of tell a story but mostly just look like computer effects, I'll go over to my sister's and play Tekken. Just because George Lucas CAN computer animate anything his heart desires doesn't mean he SHOULD. I like it when actors can make eye contact with the "character" they're talking to. It helps me to suspend disbelief and really get into the world the movie inhabits. What I don't like is watching Ewn McGregor with a hilarious beard making nice with a pole that has a dot at the top of it. I also like it when I don't sit bolt upright in the middle of a movie and think to myself, "wow, that computer effect looks like total dog doo." To wit: Yoda. Sure it would have been hard to get a puppet version of him to whip out his light saber and go to town (that'd be the 5 minutes of the movie I liked), but the old Yoda made facial expressions that looked genuine and he moved around in his environment in a realistic way. Every other scene he was in didn't need to be CGI nor did any huge number of other shots that could have easily been created using actual STUFF. It was stupid and it bored me. 2. Hi. My name is Natalie Portman. I was good once in a movie when I was 12. Since then, I've graduated from the Winona Ryder school of acting where showing up, putting on a costume and saying my lines in one tone of voice passes as "acting". Love me. 3. Hi. I'm Hayden Christenson. I successfully turned the biggest bad-assed villain of all time into a whiny, self-absorbed jerkweed who's so super tough that people feel compelled to call me Ani (pronounced like the red-headed orphan). If there is a benevolent god, I won't be coming back for the next episode. 4. Hi. I'm George Lucas. I wrote what we're calling the "dialogue" and "story" for this movie. Sure some of it was so pitiful it made you laugh until you cried. And much of it made no sense or was delivered in such a manner as to make you doze off. And sure, I lifted huge sections of the movie from Gladiator and Blade Runner. What's important right now is that you please excuse me while I go wipe my butt with your hard-earned money. So there it is folks. I, like everyone else in America, will more than likely haul my sorry ass to the googleplex to see the third prequel and will probably leave it feeling just as disappointed and annoyed as I did when I saw this one and the one before it. But, like everyone else, I'll keep going to the well hoping to pull up a rewarding movie in the blind hope that somehow the delight and wonder I felt when I saw The Empire Strikes Back will magically return. I like beating dead horses. It's fun.
A long time ago in a galaxy that included lots of disco and polyester, George Lucas created a multi-bazillion dollar franchise with a solemn oath: “I’ll put up with the orange 'vaseline' blob under my landspeeder now, but I swear on my collection of 8-tracks that I'm going to fix it later".
Now don't get me wrong. I have no quarrel with special effects, whether we're talking about quidditch in the rain or a tanker truck getting sucked up by that big ol' tornado in Twister. (I work at a gas station. I positively LIVE to see cinematic tanker trucks go to that Big Kaboom in the sky. Ahhh, sweet satisfaction.) In any case, quality special effects can definitely enhance a movie and lift it from marginal to terrific. There's just one thing they can't — and shouldn't — do. Replace the acting. Thus the fatal flaw of Episode Two — Attack of the Dialogue. It would seem that Lucas couldn't stand the possibility of the on-screen humans in his employ overshadowing his varied and spiffy arrangements of pixels. And so, either with or without malice aforethought, he wrote cheesier dialogue than you could hope to find at a Midwestern Dairy Convention. Bear in mind that I’m taking this view because the only other alternative is that he honestly thought he was writing great stuff… and I just can’t handle that. Let me take a moment though to give credit where due. Ewan "My name is Kenobi. Obi-Wan Kenobi" McGregor did his level best to (subversively, I suspect) infuse his character with the occasional hint of emotion — or at least some indication that he was still human even if he was drowning in a sea of blue screens throughout the filming. Christopher "Is I is, or is I ain't Sithly" Lloyd did the same, making the best out of what he had to work with. Truth to tell, he came across as urbane and creepy — always stellar traits in a villain. However neither Hayden "Padawan Pouty" Christensen nor Natalie "Senator Cradle-Robber" Portman seemed to have the courage or imagination to risk the occasional wink at the audience. This resulted in the absolute worst exchange of fictional romantic banter I've ever witnessed. (And when I think back to my guilty obsession with trashy romance novels in the mid-90's, that's really saying something!) Picture if you will, that cozy firelight scene of Anakin mistaking acid-indigestion for true love and blaming it all on poor Padme in Lucas-speak. “I’m haunted by the kiss you never should have given me! My heart is beating, hoping that kiss will not become a scar…” and so on. Now envision a normally introverted 30-something chick in the sixteenth row, stomping her feet and yodeling like a hyena on amphetamines and you'll have a pretty good mental image of my AOTC theater experience. I’m surprised I didn’t get kicked out. Gee, you'd almost think I didn't actually like this movie, wouldn't you? Thing is, I did. Star Wars and all that goes with it is a lifelong friend, and while good friends routinely tease the living snot out of each other (in my experience), they also make allowances. I honestly had a great time watching this movie. There was plenty of action, much less bureaucratic waffling than in The Phantom Menace and the battlefield choreography landed me with the most over-stimulated brain cramp I've had since the opening ten minutes of Moulin Rouge! I'm even going to overlook the whole space-is-a-vacuum thing and say that the shock waves and lethal uber-twangy noise of Boba Fett's seismic charges were the ultimate in cool. And Dooku’s sail ship? I’d trade my purple Neon in for one of those in a heartbeat. This movie was fun, dagnabit. For all its flaws, from a sheer entertainment standpoint, AOTC does pack a nice punch — or at least a friendly nudge. But guys? If you ever need a good pick-up line, please don't ask George!
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
The Yoda's Cane Theory (by PoolMan): I dunno. It seems to me that if you're the head of the Jedi Council, and all the Masters refer to *you* as "Master", hobbling slowly around on a cane to make yourself seem less than you are is not only deceitful, it's not that effective. Even if you're only one of the aliens in the bar on Coruscant, if you know Yoda's name, you know he's got some seriously heavy power on his side. It's like seeing Bruce Lee with his arm in a sling, you're still pretty aware that he's perfectly capable of kicking your butt. I think the real explanation is that he's capable of fighting the way he does, but only in sprints, and the rest of the time, he's showing his full centuries' worth of age. Didn't anyone else notice the way he huffed and puffed during and after the duel with Dooku, or the way he grunts with effort scooting himself around on Dagobah? Limping around on the cane is his everyday way of moving, but when he absolutely HAS to get around faster, he's got the force in his step. A little force lift here, and force push there, and he's hopping around like Dna on Jolt Cola. In any event, no matter what you attribute it to, watching the Master display his skill is still some kind of fun! The Yoda Cane Theory (by Clare): George Lucas is lazy and has lost his vision. The Tatooine garage in which Luke cleaned the droids in Star Wars was rebuilt for this movie, but not completely: while the foreground and background were complete sets in the original film, only the foreground was rebuilt for Episode II; the background is digital. Samuel L. Jackson says he uses a purple lightsaber but that fans shouldn't speculate endlessly about why. He just thought it would look cool so he asked George Lucas if he could have one and, eventually, Lucas agreed. Groovy Quotes
Yoda: Begun this clone war has.
Amidala: Your not all-powerful, Ani.
Obi-Wan: Your clones are very impressive.
Dealer: You wanna buy some death sticks?
Anakin: You call this a diplomatic solution?
Anakin: [being bound in chains] We decided to come and rescue you.
Jango Fett: I'm just a simple man, trying to make my way in the universe. C-3PO: I've had the most peculiar dream. Anakin: I've got a bad feeling about this.
[to Anakin]
Yoda: Lost a planet Master Obi-wan has, how embarrassing. Anakin: I...I killed them. I killed them all they're dead, every single one of them and not just the men but the women, and the children too. They're like animals and I slaughtered them like animals. I hate them. DVD Review
This 2-disc set comes with some of the nicest animated menus you'll see in quite some time (hey, it's ILM, what'd you expect?), although the music looped on the menus is extremely brief, so it abruptly stops and restarts after 20 seconds or so. The extras kick off with an appropriate number of trailers and TV spots, along with an odd "music video" that shows John Williams conducting interspliced with a number of clips from the movie (this plays like a VERY long trailer). There are two documentaries, one on the digital characters, and one on the "previsualization" of how the film would look. Continuing on, there are a few deleted scenes of note, showing off some pretty special effects (like Obi-Wan's fighter taking off from Corsucant and launching into hyperspace) or Amidala's abs, but it's quite apparent why they were cut. Otherwise, there's a standard slew of featurettes and web documentaries, whose interest level depends on how deep you want to dig into Lucas' psyche. Soundtrack Review
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