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As the late-80's, early-90's superhero revival blossomed, Marvel Comics was little less than discriminating in handing out its license to third-rate hack directors and actors composed mostly of compressed wood pulp and duck shavings. The Punisher bombed with a robotic Dolph Lundgren in the lead, Nick Fury banished to oblivion, and Captain America, well, (kids at home: make the "crash and burn" noise now!). Originally, it was intended — and marketed — for a major theater release. After seeing how gut-wrenchingly horrible it was, Stan Lee and others pressed for reshoots… which did nothing. Nothing! They then shuffled it off to the retirement home for lame superflicks, and, having learned their lesson, ponied up more dough for Roger Corman's Fantastic Four. No one aspect of Captain America is by far and away the worst; it's an ensemble effort of mediocrity and shoddy effort. The screenplay takes a can't-fail concept of a classic superhero with decades of story behind his belt and then fails it spectacularly. The actors seem surprised to be caught on camera, more playing along with "movie making" than doing anything real. If you shy away from blue screen effects, jittery editing and laugh-out-loud plot holes, then welcome to your own personal purgatory. World War II. Things are kind of sucking, and for a man named Steve Rogers, the quality of life is the pits. A deformed Italian super-soldier called Red Skull (so named for his bright blue head) is threatening a super-missile launch at the White House. Rogers volunteers for the same process that made Skully what he is today1, and he puts aside his sleepy good looks and mildly dimwitted girlfriend for a shot at the super-big leagues. One thing leads to another, and "Captain America" (so named for his Brazilian nationality) is being tethered to a missile and shot 3/4ths of the way around the world in the space of two episodes of Star Trek. He crash-lands in Alaska, is frozen until 1990, and thaws out to file an advance lawsuit against Austin Powers. Meanwhile, Red Skull, wacky guy that he is, makes his face look even worse, kidnaps the U.S. President (who's tooling about in Rome) and starts using mind control and whatnot. What can we do? It's only up to a cluelessly out-of-time relic of WWII to bumble his way to FREEDOM and JUSTICE! I'm guessing the Secret Service had the day off. It should go without saying that no characters in this movie are scripted or act in any way like actual people. The villain cackles and monologues, the President bulges his eyes and makes dire pronouncements, the love interest shrieks and falls down and gets hit as the scene warrants, and Captain America is constantly two seconds away from falling into an inescapable slumber. Really, Marvel? Next time you're looking for a good lead actor, "someone who keeps their eyes open all the time" should be first on your list. Cappy is so lame that only extreme editing can turn his spastic battle motions into assured victory. You'll also drink in his suave personality and wit, which ranges from mild disbelief at hoofing it halfway through Canada while being chased by Nazis on motorbikes to using childish tricks that have no right in fooling anyone. Want to know Captain America's super-secret special move? To ham-handedly trick his allies and steal their wheels, he — twice — jumps out of the car and pretends to be physically sick. When the compassionate driver comes out to see if he's okay, our hunched-over superhero goes "PSYCHE!" and runs around them to jump in the driver seat and take off. It's just about the least heroic (or mature) move a costumed wonder could perform — this is Captain Freaking America, not Jimmy "Nose Gold" Peters from two doors down. It's as if Batman kept resorting to "Look! It's the Goodyear Blimp!" to make villains twitch their heads around before he sucker-punched them. Or if Spider-Man kept giving 450 psi wedgies to bank robbers and crawled away giggling about it. Or if the Wonder Twins got really, really, really drunk one night and made out with each other. Let's just put it this way: Captain America is the reason why world governments conspired together to deny that 1991 ever existed. Seriously. Well, that and Fresh Prince of Bel-Air. What was so fresh about him? 1. How did that sales pitch go? "Well, this super soldier serum turned the first guy into a horrible red scab of a thing, and also corrupted his sweet nature into pure, unadulterated evil, but I'm sure you'll be okay. In you go! Don't forget your goggles!"
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
Before this movie was introduced, Marvel Comics head honcho Stan Lee insisted that it was good. He wrote, "Director Albert Pyun did it so well and so excitingly that everyone in the audience [at the screening] kept clamoring for more," to account for the film being scheduled for a re-shoot. Groovy Quotes
Guy: Who was shooting at you?
Red Skull: You remain a poor choice, little brother.
Red Skull: Fifty years ago, you were Dr. Vaselli's ridiculous idea. You remain a clownish symbol that no one cares about.
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