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Both the Gene Wilder and the Johnny Depp versions of Willy Wonka are unsettling and creepy, in their own idioms, but I far more enjoyed this rendition of Dahl's book than the older one. Partially because the Oompa Loompa songs were downright rocking instead of nightmare-inducing, but mostly because the setting of a magical chocolate factory tour is a perfect match for the unbalanced talents of Tim Burton. Yes, unbalanced. Go back to your bat-caves, raving goth Burton fans who own every item of Nightmare Before Christmas merchandise. Burton isn't the infallible pope of movieland; as a director he's shown amazing strengths and repeated weaknesses. Burton has a knack for whipping up scenes and settings that evoke the best feelings of Halloween wherever he goes — even if it's Christmas — indulging us in landscape after landscape of sumptuous ingenuity (a couple $2 words for your benefit!). He even gets the start of his tales off near-perfectly, many of them doing classic fairy tales proud. But what I've noticed, over and over again, is that Burton almost always stumbles at the end of his films, unsure of how to really wrap things up and stretching the running time far longer than it should be. Chocolate Factory is no exception, even with an army of vicious squirrels. The fact that the story is almost a bare-bones tale is distracting when you get past the visuals and pay attention to it; the bulk of the movie is the group touring through weird room after weird room in the factory, one of the bad kids makes a horrible error, Oompa Loompas sing a song, and off to the next room they go! There's really no building climax or character progression for Charlie and Wonka; they're sort of just there, going along, more or less the same people at the end as they were at the beginning. It's only the power of Burton's visuals and the cheeky childishness of the scenes that manage to distract you from serious criticism. The factory is cool. It's amazing and serves no logic whatsoever — something which annoys many of the unimaginative kids and their parents on the tour — but it looks like a place where we'd give our left arm to be able to explore. Even so, this isn't a safe amusement park; Dahl's books and the movies aren't shy in hinting at a more sinister undercurrent of danger that threatens to snatch up anyone who's an idiot. No OSHA here, that's for sure. And even the main characters are superb... at the beginning. Willy Wonka is a highly odd man-child with screamingly funny lines, Charlie is the "awww"-inducing kid with the heart of gold (who, in a very touching moment, offers to sell his ticket so his poor family can survive longer), and Grampa Joe seems like a right-on sort of fellow. However, as Burton films are wont to do, the longer the movie trucks on, the more things unravel and the more the characters are left in the dust as the special effects team goes hog-wild. Charlie becomes a non-issue; he wins the "special prize" only by virtue that he keeps his hands to himself and kind of likes candy (yeah, that's a spoiler, but you're going to tell me you don't know the plot at all?). Wonka misfires even worse. I know Tim Burton has a fetish for using Depp in most of his movies, the same as he uses Danny Elfman to score (and Elfman produces an incredible effort for this movie), but maybe Depp wasn't up for this challenge. His Willy Wonka isn't the looney genius with an uncanny inner wisdom; he's just looney. He obviously hates kids, has family issues of his own, and has gone slightly mad from being alone in a massive factory for years with only mostly-mute Oompa Loompas as company. After a while, when we realize that there's really nothing more under the surface than strange observations and an apparent lack of concern when people are hurt around him, do we start to get unnerved by this guy. And that is a shame. Still, a meandering ending and a weak main character aren't enough to sink what has to be the most fantastical cinematic vision of the 2005 summer (I'd say year, but Sin City would murder me good if I did that). It's quite pleasing on the eyes, hilarious on the ears, and a great way to inject some pure childishness in the young and old alike. We do need more of that.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
The lyrics to four of the five musical numbers in the movie were written by Roald Dahl himself. The singing voice of the Oompa-Loompas belongs to that of Danny Elfman who overdubbed himself dozens of time. 40 squirrels were trained for the scene where they pounce upon the character Veruca Salt. Deep Roy played every Oompa-Loompa himself, repeating the same movements several hundred times. While these were then put together digitally, each Oompa-Loompa represents a separate performance by Roy. In recognition of this, Roy's salary was raised to $1,000,000. This movie is the fifth Burton-Depp collaboration in 15 years. Groovy Quotes
Willy Wonka: Well, beatniks for one, folk singers and motorbike riders. Y'know. All those hip, jazzy, super cool, neat, keen, and groovy cats. It's in the fridge, daddy-o! Are you hip to the jive? Can you dig what I'm layin' down? I knew that you could. Slide me some skin, soul brother! Shopkeeper: You found Wonka's last golden ticket!
Willy Wonka: You're all quite short, aren't you?
Willy Wonka: If you had to choose only one half of your son, which one would it be?
Mike Teavee: Why is everything here completely pointless?
Willy Wonka: See children? Everything in this room is eatable. Even I'm eatable! But that my dear children. is called cannibalism; and that is frowned upon in most societies.
Mr. Teavee: These flashbacks happen often?
Willy Wonka: This is the puppet hospital and burns center. It's relatively new. Willy Wonka: Ha ha ha, wasn't that just magnificent? I thought it was getting a little dodgy in the middle part, but that finale... Wow!
Veruca Salt: [outside the Chocolate Factory] Daddy, I want to go in.
Willy Wonka: Chewing gum is really gross, chewing gum I hate the most. See? Exactly the same. Willy Wonka: Don't touch that squirrel's nuts! It'll make him crazy! Soundtrack Review
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