Summary Capsule
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A major part of what makes King work is the tone, for which director Terry Gilliam has to be credited. It's a very tough line to tread between drama and comedy, and trying to include fantasy elements as well only complicates matters. And yet, somehow all the facets are perfectly balanced — there's some hilarious lines, but it's not a comedy. There's plenty of whimsy, but the movie remains fairly grounded. The subject matter is weighty and disturbing, but you don't walk away feeling sick. Not surprisingly to fans of his other work, Gilliam weaves these disparate aspects together skillfully, so that rarely if ever do you feel like one dominates over the others. The cinematography is also nice, with some innovative camera work during Parry's, um, "less lucid moments." Of course, much of the credit is also due to the incredibly rich, talented cast. Robin Williams earned dramatic praise for Good Will Hunting, but he's at least as impressive as a deranged transient out to steal the Holy Grail… that is, when he's not fleeing an imaginary Red Knight or mooning over Lydia, the (un)tattooed lady. As for Mercedes Ruehl, I'd love to say that no woman in the world would put up with half the sh-… oddy treatment Anne takes from Jack (my wife would defenestrate me, that's for sure), but experience sadly tells me otherwise; it's a very realistic portrait of a woman so in love with a loser that she'll excuse his endless faults. (Though I doubt most women in those circumstances are as strong-willed as Anne seems to be.) In that vein, there's a couple of scenes near the end where you'll absolutely despise Jack, and possibly yourself for ever liking him. Still, it's a testament to Jeff Bridges' acting that he can 1) portray such an a-hole so believably, and 2) still make you hope for him to get back on track, at least a little. That can't have been easy. That's not to imply King is a perfect movie. Like most films on the subject, it sometimes falls into the trap of showing mental illness as a mildly inconvenient state of mind that makes you say quirky things, at least until you fall in love. (See: Benny & Joon.) Also, not to belabor the point, but Jack's character is so unlikeable at times that you're hard-pressed to relate or root for him… probably why I don't like Howard Stern either. Seriously, if you ever need convincing that suicide is motivated by selfishness, not empathy, Jack's got you covered. And there's some definite deus ex moments at the end. But those are minor complaints in the face of an excellent dramatic comedy that truly has something to say, yet never fails to entertain along the way. If you haven't seen it yet, do yourself a favor and check it out.
Is It Worth Staying Through End Credits?
Unnecessary Background
Intermission! [some sources: IMDb]
The character of Jack Lucas was modeled after Howard Stern. Supposedly filmmakers asked Stern for tapes from his show to study, but he wanted to be hired as a consultant instead; when they declined, he refused to turn over any tapes. Groovy Quotes
Jack: Suicidal paranoiacs will say anything to get laid.
Jack: I don't mean to be flippant or to enrage you, but you're a psychotic man.
Parry: There's three things in this world that you need: Respect for all kinds of life, a nice bowel movement on a regular basis, and a navy blazer. Parry: Come on, Jack. What do you think the Crusades were? The Pope's publicity stunt? Anne: I don't believe that God made Man in His image. 'Cause most of the [crap] that happens comes from Man. No, I think Man was made in the Devil's image, and women were created out of God. 'Cause after all, women can have babies, which is kind of like creating. And which also accounts for the fact that women are so attracted to men... 'cause let's face it, the Devil is a hell of a lot more interesting. Believe me, I've slept with some saints in my day, I know what I'm talking about. So the whole point in life is for men and women to get married, so that God and the Devil can get together and work it out. Homeless Vet: He's payin' so he don't have to look. See... guy goes to work every day, eight hours a day, seven days a week. Gets his nuts so tight in a vise that he starts questioning the very fabric of his existence. Then one day, 'bout quittin' time, boss calls him into the office and says, "Hey Bob, why don'tcha come on in here and kiss my ass for me, will you?" Well, he says, "Hell with it. I don't care what happens, I just want to see the expression on his face as I jab this pair of scissors into his arm." Then he thinks of me. He says, "Waitaminnit. I got both my arms, I got both my legs. At least I ain't begging for a living." Sure enough, Bob's gonna put those scissors down and pucker right up. See, I'm what you call kind of a moral traffic light, really. I'm like sayin', "Red! Go no further!" Jack: No one lies naked in a field in New York, it's too Midwestern.
Parry: Jack, who are you talking to?
Jack: Where would King Arthur have been without Guinevere?
Parry: This food is delicious, Anne. You're a wonderful cook and you've got a great set of… dishes. Jack: Great, now I'm hearing horses. Parry will be so pleased! DVD Review
Soundtrack Review
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