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The Illusionist takes a shot at having some fun with this trend while not completely leaving the audience in the dark or without legitimate clues. Set in Austria in the late 19th century, a man named Eisenheim the Illusionist discovers his childhood sweetheart (now a noblewoman) is engaged to marry the brutal and unloving crown prince, heir to the throne, as a political maneuver. Eisenheim uses his amazing stage presence and flair for magic to embarrass the prince, steal his love out from under his nose, and finally show him for the tyrant he is. The prince sets Chief Inspector Uhl to the task of undoing Eisenheim, a job the policeman doesn't relish, seeing as he is unabashedly admiring of the magician and ashamed of his patron, yet loyal to his country. What I really like about The Illusionist is that if you're paying attention, it leaves all its clues in the open. All of them. It is actually possible to guess how things will end with the info we're presented. There's no "surprise, it's actually the 21st century!" at the end of this one, only a possible (if implausible) ending that's as much an illusion as any of the stage shows we witness throughout the movie. I was also really surprised by how much I enjoyed the performances. Jessica Biel manages to survive without ever appearing in a pair of tight jeans and does a fine job as Sophie, and Rufus Sewell spits and eye-bulges his way through being a complete jackass as the prince. Ed Norton is well suited to his quiet role as Eisenheim, and manages to convey a lot about the character through his presentation and less through his dialogue. What really nailed it for me was Paul Giamatti as Uhl. Giamatti did a terrific job with what could have been a thankless role and comes extremely close to making the movie about his character instead of the titular magician. It could even be argued that Uhl IS the main character, and that speaks volumes about Giamatti's performance. The look on his face at the end as he realizes what's happened is utterly real, and sells the illusions of the previous two hours beautifully. It may not be a movie to watch every week with friends, but it's a solid film to see at least once. The recap at the end handholds the audience to the point of possibly negating a second viewing, but it's still a very fun flick. Put on your thinking cap and see if you can figure it out.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
Spoilers! Highlight to read! At the end of the movie, we are finally presented with the information that Eisenheim's illusions really are just cleverly executed practical special effects. He is not a real magician, his tricks are based in science.
However, although we can guess, it's never actually stated outright how Eisenheim's "Sword in the Stone" trick is achieved. There is an audio hint suggesting an electromagnet is used. Electromagnets were first used in the 1820's, so this is feasible. It becomes a question of whether Eisenheim guessed Leopold would be so rude to him during a show, and how he activates/deactivates the magnet. (or installs it, for that matter… this was back at Leopold's castle, remember…)
Also, it's never made clear how the "ghosts" are summoned. Is the method the police come up with just a cruder version of how it was actually done? It's not really stated. Groovy Quotes
Chief Inspector Uhl: Promise me you won't do it again.
Young Sophie: Make us disappear!
Chief Inspector Uhl: You don't know that.
Crown Prince Leopold: He has tricked you, it is all an illusion!
Crown Prince Leopold: [dressed as a commoner] How do I look?
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