Summary Capsule
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Now that I've thoroughly confused anyone who hasn't seen the movie already, let's recap: Juno (Ellen Page) is your classic outcast, not-goth but not-preppy high school girl. Her clothing is Dr. Who chic, she spouts a constant stream of hipper-than-thou banter, and she's attractive but not overly made-up. In short, she is awesome. But when Juno and best friend Bleeker (Michael Cera) get bored and do what teens do when they're bored (i.e., each other), she finds herself both "in a family way" and estranged from her baby daddy just when she needs him most. Still, her father Mac (J.K. Simmons) is as supportive as possible, and when Juno meets potential adoptive parents Mark and Vanessa, things seem perfect… true, Vanessa's a little stiff, but Mark is cool and fun and has a lot in common with her. Except, is sharing interests with a teenage girl really such a good thing for a thirty-something man preparing for fatherhood? Only time will tell… There's so many good things about Juno, it's hard to know where to begin. For starters, it's one of the few movies I've ever reviewed that makes me want to cast off the shackles of the oppressive Mutant Meter and hand out a "6" for Quotes, because damn it, there's just that many good ones. At first I worried Juno would be nothing but a female Napoleon Dynamite ("God, Banana, shut your freakin' gob!"), but the film's progression shows her to be way more intelligent and, well, funny. J.K. Simmons is outstanding as always (see: Spider-Man, Thank You For Smoking), just below John C. McGinley in terms of character actors who I idolize and you should too. Meanwhile, Allison Janney conveys the sometimes antagonistic but ultimately caring relationship between Juno and her stepmom in a subtle but effective way, and Jennifer Garner actually does a great job of at first annoying you with her prissiness, but (without altering her character any) completely turning that on its head later on. Kudos. But after Ellen Page, it's Jason Bateman who steals the show, both in providing a perfect counterpoint to Garner and letting you inside his character's head to demonstrate the full impact of his "coolness." Without giving anything away, you simultaneously feel bad for and want to slug Mark, which to me is the sign of a talented actor. I've heard arguments from both sides over whether his "I thought you'd be happy" line indicates potential sketchiness, or if he just means she'd be glad he's no longer a sellout; I choose to give him the benefit of the doubt and assume the latter, but the fact that there's a debate at all speaks to the subtlety and complexity of both characters. It's a shame Bateman and Michael Cera don't have any scenes together, but I'm sure it would have been hard for Arrested Development fans to separate them from their previous characters, so maybe it's for the best. If Juno has any faults, it's that the relationship between Juno and Bleeker doesn't feel as developed as it probably should. We begin the story with Juno learning she's preggers, and aside from a couple of very brief flashbacks, it's all forward from there. With she and Bleeker being incredibly uncomfortable with each other for most of that time, we as the audience don't really see what Juno likes about him. He's the coolest person she knows? Why? Michael Cera is definitely talented, but the role is essentially George Michael minus the sense of responsibility, and since he gets barely any screen time until the end, Juno's feelings for him seem underdeveloped. Don't get me wrong, both young actors are terrific in expressing their characters' anger and unspoken feelings in their argument scene; we're just left wondering where exactly those feelings are stemming from. In terms of other complaints, there's been some discussion in our forums that Juno suffers from excessive hipsterishness. I can't deny it, but it really didn't bother me, maybe because Juno doesn't come across as condescending the way so many other similar characters do. (I'm looking at you, Wonderfalls.) Sarcastic, sure, but more young and bored than willfully mean, which makes all the difference. But filmmakers, take note: when you have Rainn Wilson at your disposal, you do not repeat NOT relegate him to a single scene. It just isn't done. Remember that for next time. Like I said, Juno appealed to my wife and I in particular because of where we are in life and our respective differences, but I like to think that even without that, we still would have loved it. It's pretty much what you'd get if you took a Wes Anderson film and stripped it of the slight pretentiousness and half the random surreality. Which in layman's terms means it rules. I'm sometimes wary about unreservedly recommending indie films that have hit it big because there's the inevitable backlash of "Do people only like this because it seems cool to like an indie movie?" But in this case, I can honestly say that the hype is justified. Is it a perfect movie? No. But if you don't walk away having had at least a few good laughs, you're probably actively looking for a reason to dislike it. And nobody likes that guy. Don't be that guy.
Common complaints are that Juno doesn't speak like anyone ever born, nor do her friends and family react to her and her situation in a "normal" way. Um, isn't that the point? A realistic take on teenage pregnancy and resultant family dynamics is a film for the Lifetime channel. A surreal story of a happily eccentric girl and the reality she carves out for herself (nothing says "I dig you" like setting up living room furniture on a boy's front lawn) is a film for the ages. Much like its predecessor-in-tone-if-not-spirit, Thank You for Smoking, you need to recognize that the worlds these films inhabit are like ours, albeit perhaps with a little more acceptance of the ironically pragmatic. There is much less yelling, and much more laconic wit, on essentially everyone's part. Their search for meaning is just as personal, but begin from a quieter place of inner wisdom, or at least appears to. Mostly, everyone just sounds a lot cooler than we all are. Not that hard to do, honestly. There really isn't much to say about the movie, other than that it takes some typical plot twists and approaches them in a much more subdued way, so that the histrionics we prepare ourselves for based on other similar films never actually come, yet we still benefit from the tension of waiting for them to come, and realizing even as they pass without incident that it's all just buried under the surface and is more powerful, perhaps, for not being spoken. I could be reading too much into the make-up of Juno. But I doubt it. You don't cast actors capable of subsuming the drama in lieu of the humor (as soon as two members of the Arrested Development cast were brought it, the film's fate was set) and not realize that the tone of the film is going to swing towards sarcasm. Ellen Page is allowed to run rampant as a charismatic force of nature and makes the most of it, creating a titular character that effortlessly combines advanced wisdom with vulnerable naiveté. I think her next role will be the real test, as we'll see if Ellen Page simply had the character of Juno in her repertoire or if she is Juno and Juno is she. I lean more towards "immense personal talent," myself, but I guess we'll all find out together (probably in Smart People, which looks like it's close enough to a Juno vibe to bring in a similar audience yet different enough [Page as Republican: what?] to provide neat contrast). But like Drew hinted at: who cares? Juno rules! Juno has only gained in legitimate quirkiness by being placed in contrast to other films like it; a sure sign that it is a lasting film of quality versus a cash-in attempt to be cool. I went off to see Charlie Bartlett, expecting a similar quirky look at high school life via a male perspective, but got instead a lame and typical quirky-plot-by-numbers that clearly reads as written by stagnant writers relying on what has come before to tell a standard story. Juno tries new things and would deserve accolades on that alone: the fact that the stellar cast and the absolutely incredible Page deliver on the attempts at cinematic innovation makes it all worthwhile. I tried to go "professional" here, when my preferred tact would have been relentlessly positive screeching. If you haven't seen Juno yet, you really are missing out on a very fun, winningly quirky film whose mainstream success shouldn't dissuade you from thinking it's as true to the "indie spirit" as we claim it to be. It's a cool scene, man, and no matter how old you are you should see it as not a cool movie but a film about inherently true and ultimately cool characters. Dig that Juno!
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
For those not in the know, Jason Bateman and Michael Cera played father and son on the show Arrested Development. Groovy Quotes
Juno: I think the last one was defective. The plus sign looked more like a division sign. I remain unconvinced. Rollo: This is your third test today, Mama Bear. Your eggo is preggo, no doubt about it. Rollo: You better pay for that pee-stick when you're done with it. Don't think it's yours just because you marked it with your urine!
Rollo: So what's the prognosis, Fertile Myrtle? Minus or plus?
Juno: When I see them all running like that, with their things bouncing around in their shorts, I always picture them naked, even if I don't want to. All I see is pork swords.
Juno: You should try Adderall.
Receptionist: Would you like a free condom? They're boysenberry.
Juno: And the receptionist tried to give me these weird condoms that looked like grape suckers and she told me about her boyfriend's pie balls, and Su-Chin was there and she told me the baby had fingernails. Fingernails!
Leah: All right, how about this one? "Healthy, educated couple seeking infant to join our family of five. You will be compensated. Help us complete the circle of love."
Juno: Ick! I don't want to give my baby to a couple who describes themselves as "wholesome." I was looking for, maybe, a thirty-something graphic designer with a cool Asian girlfriend who kicks ass on the bass guitar, but I don't know, I don't wanna get too particular.
Mac: You're pregnant?
Mac: Next time I see that Bleeker kid I'm going to punch him in the wiener. Juno: Bleeker is actually good in… chair.
Juno: So have you and Vanessa thought of a name for the baby yet?
Bleeker: I still have your underwear.
Juno: Uh, dad?
Soundtrack Review
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