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If you're too lazy to look his review up, Pooly stated what the majority consensus believes: it was a sub-par Jones movie with many flaws that hinders it from the classic status that the first movie in the series attained. I would sure love to disagree, except that on a recent viewing, I discovered I lacked a black enough heart to do so. It wasn't the best showcase for Indiana Jones, and apart from a handful of pop culture references and its prompting the MPAA to form the PG-13 rating, it wouldn't hold much value to me whatsoever. Indiana Jones and the Last Crusade was a brilliant sequel to Raiders of the Lost Ark in almost every way that the prequel Temple of Doom was not. There's a terrific introductory sequence featuring River Phoenix as a young Indy, exploring some of the origins of his character; a couple nasty tombs are waiting to be explored; many countries dying for a visit from the 1989 Just-Call-Me-Indy World Tour; Nazis; Sallah (John Rhys-Davies' greatest role outside of Gimli); plot twists and turns; and so many action sequences and trademarked humor that you just couldn't find a fedora big enough to carry it all. Even so, cynics break out their nitpicking machine for a hefty dose of been-there, done-that comparison with the earlier Indiana Joneses, claiming that little is original in this paint-by-the-numbers studio sequel. Last Crusade does revisit the Nazi threat, a relic of Christian importance (the cup that supposedly held the blood of Christ), sees Raiders alums Sallah and Marcus Brody return, and even features an ending that isn't too far removed from the opening of the Ark sequence on the island. But as I see it, a really good sequel is a bit like a bride on her wedding day, sporting a bit of the old and a bit of the new, instead of all-new, revolutionary style. Knowing what worked previously, Spielberg and Lucas were free to take the best aspects of the previous films and then marry them to fresh elements, creating a crowd pleaser that could easily stand on its own. The miraculous addition to the cast was Sean Connery as Indiana Jones father. Going back and rewatching this for the hundredth time, it still amazes me that the filmmakers took this potential risk for Indy's latest sidekick. A hot girl, sure. A loyal Middle Eastern guide, okay. A loud, brash kid, comes standard. But an old fart who invests most of his stock options in tweed and is completely opposite in demeanor to Indy's high adventure style? Preposterous. More so if you make the guy his dad, something that just isn't seen in many adventure films, ever. An attractive hero lugging around his senior-menu-ordering pop? It works, though, it really does. Henry Jones (Connery) doesn't appear for a good chunk of the movie, but when he does, he establishes an awkward rapport with his son that couldn't be more natural or humorous. As physical as Indy is, Henry is cerebral, doing his research in books and through intellectual studies. He does share Indy's obsession with artifacts, while remaining aloof to the dangers and adrenaline rushes of high adventure in the process. It's hysterical to see Henry accidentally shooting the tail of their own plane ("I'm afraid they got us, son"), taking down a Nazi fighter with an umbrella, or joking with Marcus. Indy's full ensemble here makes him far more human and likable, instead of a loner anti-hero, and it is sublime. So since you're a goose-stepping moron who'd rather watch movies than read books, you can't forgive yourself to never see this edition of the Jones saga.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
The temple right at the end of the movie exists, but not in Alexandretta. It is in Petra, in Jordan. However, there is no inside to it - the doorway that can be seen on screen is huge, eight or nine people shoulder to shoulder can easily walk thru it. It leads to a huge empty square room carved from the top down over two stories high. Sean Connery and Harrison Ford wore no trousers during the shooting of the entire Zeppelin sequence (mainly because it was filmed in a very hot studio and Connery didn't want to sweat too much). When it came to filming the rat scene, the producers inquired of their insurer, Fireman's Fund, whether they were insured if the animals were for some reason indisposed, due to illness, an accident, or simply because they refused to perform. This was a delicate issue, as one lost day of filming can cost hundreds of thousands of dollars, yet the experts at Fireman's Fund were able to reach a compromise which pleased both sides. They asked the director what would be the least number of rats needed for a dramatic shot. If different camera angles were used, 1,000 rats would probably be sufficient, came the answer. Thus Fireman's Fund underwrote the world's first insurance policy with a 1,000-rat deductible. Groovy Quotes
Indiana Jones: I told you... don't call me Junior!
[Encountering a painting of the Ark of the Covenant]
Indiana Jones: Sallah, I said no camels. That's five camels. Can't you count? Walter Donovan: Germany has declared war on the Jones boys. Henry Jones: The quest for the grail is not archeology, it's a race against evil. If it is captured by the Nazis the armies of darkness will march all over the face of the earth. Do you understand me? Fedora: You lost today, kid. But that doesn't mean you have to like it.
Henry Jones: I didn't know you could fly a plane.
Colonel Vogel: What does the diary tell you that it doesn't tell us?
Indiana Jones: It's disgraceful, you're old enough to be her... her grandfather.
Henry Jones: Sorry about the head but I thought that you were one of them.
Indiana Jones: Nazis. I hate these guys. Henry Jones: My son, we're pilgrims in an unholy land.
Indiana Jones: Come on, dad. Help me get us out of here. We have to get to Marcus before the Nazis do.
Henry Jones: Junior, I have tell you something.
Grail Knight: He chose poorly. Butler: If you're a Scottish Lord, then I am Mickey Mouse. Soundtrack Review
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