Summary Capsule





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If you said pasty Will Ferrell, then medical science has no possible cure for your condition. My sympathies. But at least there's a film for you!
When these three decide to start up a college frat house with no rules or standards or environmentally friendly policies, one would assume that laughter follows. Egads, how I wish that were true. Another wish I have involves repeatedly dunking Joan and Melissa Rivers into a vat of toxic yogurt (blueberry, why not) until they become violently lactose intolerant. No, there are few chuckles to be found in this confusing and directionless flick. Oh sure, there's a great setup! After all, most men like to look back to an era when they were free to party, without major responsibility, and subsided on a diet of all-you-can-eat lunches at Pizza Hut. It's powerful trickery, that nostalgia, causing us to forget why we grew up in the first place. While Frank, Mitch and Beanie enthusiastically create their own boys club and rule over it, the movie never quite convinces us that their lives were that awful to need such a release in the first place. That's just the first problem with this Ferrell posterior-laced film. What really irritates me is that director Todd Phillips (Road Trip) fails to give any purpose, emotion or -- and I'd settle for this -- tight editing to the movie. It's really all over the map. There are dozens of plot points that are picked up and dropped off at whim, leaving the audience in a story lurch as we try to figure out what we're supposed to be feeling, thinking or rooting for. The non-fraternity parts of the guys' lives, for instance, are largely left to our imagination. We get tantalizing hints of comedic possibilities, and then about 45 minutes go by before we're reminded that they even have non-fraternity parts of their lives. This isn't to say that this alternative frat concept is a winner, either. With a couple exceptions, there is no life given to the frat; they're literally a bunch of extras standing around to form a large crowd. No funny quotes here. No outrageous pranks. No Animal House- or PCU-style zaniness. It's a frat created by a person who has no idea what college is even like, never mind a fraternity. Late in the film when one character defends the frat by saying that they throw really cool parties, I can't help but notice that they only showed a total of one party so far, and that was before they even became a frat. Are we supposed to just assume that they're having fun and thrilling us between scene changes? I got really angry at seeing such terrific comedic talent go to waste. Late night veteran Craig Kilborn plods around as a jerk. Jeremy "Droz" Piven drives a stake deep into my heart by being a fairly obnoxious (but mostly harmless) dean of students. Seann William Scott has one of the most awful mullets this side of Joe Dirt. The Daily Show's Matt Walsh as one of the frat boys and is given ZERO lines to show us any comedy. It's enough to drive a man to drink... cranberry juice! So, so tart. If Old School were given a report card to take home to mommy, it would most likely comment "grossly obnoxious behavior" and "fails to live up to potential time and again". Try better next semester!
No, I don’t think this is a perfect movie. Justin’s points are valid: the movie does ramble along, we think we’re going in one direction and then we go in another, and Jeremy Piven and Craig Kilborn aren’t allowed to fully form into the godly-funny characters we know they’re capable of being. But that’s all fine, because our rambling triumvirate of well-meaning good guys (Luke Wilson, Vince Vaughn, the incomparable Will Ferrell) set the tone with their mostly low-key, sometimes nude antics and let us know that the emphasis is on pleasant and happy togetherness versus end-of-the-world party madness/destruction. Maybe I’m getting older and losing more and more hair by the minute, but I enjoyed the laid-back quality of Old School. We get slices of the characters live, there is more emotion that you’d think (I want Ferrell to sing at my funeral!), and even the standard movie cliches (especially good girl being with bad guy and misjudging good guy because of it) gets a new spin because, well, pretty much only because Ellen Pompeo is really hot and apparently still has a Whitesnake jacket, and that’s cool! So no, this isn’t Animal House or PCU party insanity on-screen. It’s just a group of guys who have been out of college for a long time who take their chances to have some good old-fashioned fun when it comes, and valiantly fight for their right (and the rights of others) to party. Maybe that makes Old School closer to real life, maybe it doesn’t. I do know that everyone in this movie could really use a comb, or at least a brush. Come on, people, and care about your appearance just a little!
Aimless and ambling, we watch the lives of men randomly crumble and soar. The opening of the movie, watching Frank's wedding and Mitch's separation from his orgy-happy wife, was by far the best part, and in a college frat movie, that just shouldn't be. As a man preparing to be whisked away into the bonds of holy matrimony in just a few months myself, it was a hilarious feeling knowing what it's like to consider a Saturday at Home Depot to be a big thing. (Love you, honey! Mwah!) So yes, the first few minutes were golden for me. But when you get right down to it, the actual frat part of the movie was nowhere near as inspired. As soon as it starts dipping into the familiar territory of PCU or Animal House, it starts paling in comparison. Heck, Revenge of the Nerds was funnier than this, if for no other reason than the frat brothers were all given a chance to be funny or let their characteristics show through. As I see it, the pledges in Old School are funny for the reasons of being either A) fat, B) old, or C) Spanish. Other than that it's a mixed crowd of extras just standing around, looking like they desperately want to say something, but can't. And man. Will Farrell. I just can't handle this guy. Again, at his best when playing Frank with some subtlety (the wedding in particular), he gets more intolerable as the movie wears on. By the time he's doing exactly what Adam Sandler does best (and I don't like Adam Sandler much, either), it's just an excuse for him to be loud and obnoxious, instead of funny. Luke Wilson continues his cavalcade of concerned looking, slightly slow characters. I found Vince Vaughn's character the best of the frat part of the movie, but he's playing the same obnoxious promoter he was in Swingers, albeit this time with a funny little boy. Old School is what it is: a pale shadow of the great college flicks that precede it. Its plot is predictable to a fault (which is okay for a frat flick), and the characters just don't do much for me (not so okay). Give it a shot if you're really in the mood to watch Will Ferrell make an ass of himself for the billionth time on film, but otherwise, why bother? Or, you know, if you want to rent my brother, he can make it funnier for you, believe me. Wait, wait! Come back! I can bargain! |
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[proceeds go toward monthly MRFH upkeep] |
Is It Worth Staying Through End Credits?
Sure, during most of the end credits, there are scenes showing what happened to the main characters.
Intermission! [some sources: IMDb]
Official and Not-So-Official Websites
to the dark side. |
Beanie: Max, can you earmuff for me?
Frank: I was wondering if you wanted to get some ice cream or perhaps a meal of food?
Spanish: Damn, I don't wanna end up workin' at Red Lobster!
Frat Brother: You already work at Red Lobster.
Beanie: Well why don't you give me your number in case anything happens to my wife.
Therapist: Frank, this is a safe place. A place where we can feel free sharing our feelings. Think of my office as a nest in a tree of trust and understanding. We can say anything here.
Frank: Anything? Well, uh I guess I, deep down, am feeling a little confused. I mean, suddenly, you get married, and you're supposed to be this entirely different guy. I don't feel different. I mean, take yesterday for example. We were out at the Olive Garden for dinner, which was lovely. And uh, I happen to look over at a certain point during the meal and see a waitress taking an order, and I found myself wondering what color her underpants might be. Her panties. Uh, odds are they are probably basic white, cotton, underpants. But I sort of think well maybe they're silk panties, maybe it's a thong. Maybe it's something really cool that I don't even know about. You know, and uh, and I started feeling.....what? what I thought we were in the trust tree in the nest, were we not?
Mitch: At this point, you might be asking yourself, 'why am I holding this 30lb. Cinder block in my hands? You might also ask yourself, 'why does this cinder block have a long piece of string tied to it? And finally, why is the other end of this string tied securely to your penis?
Mitch: [toasting at Frank's wedding] True love is hard to find. Sometimes you think you have true love, and then you catch the early flight home from San Diego and a couple of nude people jump out of your bathroom blindfolded like a g**damn magic show ready to double team your girlfriend.
Instructor: Mind the stepchildren!
Weensie: Listen, this is a serious situation. I mean, I'm kicked out of
school. I don't know what I'm gonna do, man. My mom's gonna kill me!
Mitch: C'mon, she's not gonna kill you.
Weensie: Yes, she is! See, I'm the first one to go to college in my
family, and when I left, she said, "Weensie, if you screw this up, I'll
kill you!". She showed me the knife!
Mitch: I wasn't looking for a girl like that.
Beanie: Well, Columbus wasn't looking for America, but that turned out to
be pretty okay for everyone.
Beanie: Don't beat yourself up over this, Mitch. It's not your fault! Dammit, Blue was old. That's what old people do. They die.
[Mitch walks in on Mark cheating on his girlfriend]
Mark: What are you gonna do? Tell on me? You know you can't, buddy. It's
guy code. That's something chicks do. You're not a chick, are you? Okay.
Good talk. I'll see you out there.
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