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See, just as Fletch made me want to be an investigative reporter, Plain Clothes made me want to have a brother and to be a cop that could go undercover to prove his innocence. Naturally, Nick Dunbar (Arliss Howard in his greatest role with hair!) is on suspension from the force when he poses as a high school student to investigate the murder of a teacher that his brother is in jail for, otherwise it wouldn’t be an 80's lone wolf comedy. Really, the plot is pretty simple, although it’s also very complex. That is, the set-up is simple, but the execution is quite unique and the structure of the mystery is refreshingly intricate. Even better, the progress Nick makes from weird transfer pre-goth student (that’s how some of them dressed back then, children of the 90's!) to popular laidback kid with cool hat is believable. If anyone had pulled that stunt with our principal, he probably would have been king of the school, too! The only thing you’ll doubt is the claim that there are like a billion uses for bowling pins. As if! I don’t want to give too much away, because every time I watch Plain Clothes I enjoy how different it is from other movies of its kind. I like that Nick hated high school the first time around but doesn’t keep reminding the audience of it. The entire film is like that: it assumes that you’ve been paying attention all along so it’s not going to pound any info into you to the point of boredom. I like that Suzy Amis is believably hot as a young teacher (hmm, young cop, young teacher, what will happen?), I like that George Wendt is equally funny and sweaty as a would-be psychologist who gets stuck as the shop teacher, I like that Diane Ladd plays with the old emotions and it’s hard to tell just which side she’s on. And Seymour Cassel is good in anything (see: Rushmore); as Nick’s elder partner and “dad” he’s perfect as the somewhat straight man. Throw Robert Stack, Harry Shearer, and Abe Vigoda into the mix and you literally can not go wrong. Good times! It’s sort of weird: Plain Clothes has been one of my favorite films for a really long time, and I determined long ago that I would write a Mutant review of it. Yet I never got around to it, and even as I’m inspired to review it as part of a themed week’s festivities, it’s hard to achieve my usual reviewing enthusiasm and pop off the walls while I manically type. But I think that’s tied into one of the strengths of Plain Clothes: it’s laidback to the point of coma. I can watch it to relax, because it’s like the film decided to not get too excited about much and just cruises along. The quirky pop soundtrack helps, in that regard, but I think the refusal to manipulate we the viewer one way or another helps as well. Sure, we’re supposed to see what a crazy time high school is and how synthetic the whole façade of popularity can be, but it’s presented in a take-it-or-leave-it way. The popular kids and outcasts don’t get judged nor do they become empowered as a result of Nick’s actions; if anything, only one punk gets some extracurricular schooling about how the world works and even then it makes sense in the plot and doesn’t get lingered on or receive a jump in the orchestration. Plain Clothes is stripped down to the essentials with a splash of background oddity throw in (listen to those intercom announcements and recall the ones you had to sit through back in the day) and it’s just like life, only compressed into a matter of days. I love it. Hmm, I’ve been reading too much theory and stuff and obviously jumped into the deep end of “pretentious film theory and story deconstruction.” Sorry, though hopefully some enjoyed it. Basically, Plain Clothes will feel very familiar to you but has its very own look and quirkiness to make it quite unique. Not too many people know about it, but those who have watched it always tell me it was surprisingly “great, for an ‘80s movie.” What better recommendation is there than that? It’s not too feel-good, it just is. In these post-post-post modern times, what more can we ask for?
Didja Notice? [some sources: IMDb]
Is It Worth Staying Through End Credits?
"She Being Brand New" by e.e. cummings
-new;and you
thoroughly oiled the universal
K.)i went right to it flooded-the-carburetor cranked her
up,slipped the
again slo-wly;bare,ly nudg. ing(my
lev-er Right-
avenue i touched the accelerator and give her the juice,good
was the first ride and believe i we was
the
brought allofher tremB
stand-
Intermission! [some sources: IMDb]
Arliss Howard has been in a ton of stuff, but you probably know him as Peter Ludlow in The Lost World: Jurassic Park (II), where he was bald. When Kyle finally realized he was the same guy from Plain Clothes, it was like “holy snikes!” Groovy Quotes
Intercom announcement: God: almighty deity or first-half of a cuss word? Find out tonight, Brother Mike, Young Life Rap Session.
Student: You look used as usual, Stacy.
Nick: (watching SWAT officers demolish a children’s park) Boy, you really put on a great show, Dave.
Jane: Nick Springsteen?
Chet: What’s your story, son? Dope? A broken home? Your old man slap you around, make a pass at you? Come on, you can tell me!
Chet: Years ago, Nick, I had a girl in Wood 1 who was very talented with the blade. The work this girl did would make you weep, Nick. But, I’m afraid before she came to me she was just another bimbo on a bus to nowhere.
Kyle: You know, Nick, there’s only three kinds of people in this world. There’s my kind of people, and there’s p*ssies.
Student: So, basically, a metaphor means you’re talking about one thing but what you’re really talking about is boinking. Nick: Scope Bettys? Maybe some other time. Student: There hasn’t been a year like this since Benny Berman laid his d*ck out on the overhead projector in old man Whiteman’s class.
Kyle: And do you know what we do with sh*t around here, Nick?
Principal Gardener: (pulling out a paddle from his desk) This is gonna hurt me a lot more than it’s gonna hurt you, Nick.
Soundtrack Review
If you liked this movie, try these: This review page was last updated on 4.26.04 MRFH Home . Reviews . Findaflik . Features! . MRFH Forum © 2004 Mutant Reviewers From Hell (Original Content). All Rights Reserved. |