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I know better now, but it's too late. The movie is about Sadie Blake, a Korean-American reporter who goes investigating the mysterious deaths of Goths and ends up sucked to death by a couple of overdressed white folks with, I kid you not, a plastic sheet on their bed. The rape/murder scene is profoundly gross and also fairly stupid, given that there's only so much blood you can extract from a human body before the person dies from lack of oxygen. I'm particularly fond of the part later in the film when one of the killer/rapists tells Sadie the other vamp drank and drank her but "you wouldn't die." Perhaps they accidentally stabbed her in the collarbone instead of the jugular vein. Anyway, Sadie wakes up in a morgue, gets herself a crossbow, and goes a-hunting of the vamps. This is pretty much the movie. There's some brief involvement by Michael Chiklis, stretching his acting repertoire by playing a tired, driven cop. The rest of it is mostly splashy red corn syrup and naked boobies. There's dialogue, but it's so bad that the film gets worse every time someone takes a breath. The moment where Sadie wakes up trapped in a coffin-like box is momentarily claustrophobic, but we've already seen it and it was done much better in Kill Bill: Vol. 2. See, the concept of fangless vampires isn't necessarily a bad one. I thought it was done very well in Near Dark. But if the movie is going to deny us the tooth cleavage, there had better be some pretty interesting characters to make up for it. There's none of that here. And, sad to say, there are almost no action scenes, so don't expect to see any martial arts or acrobatics. There's some shooting and lots of slicing and stabbing of relatively helpless victims, working the queasy snuff-film sexploitation just a little too hard for the production values. Honestly, except for the lack of reflection in mirrors, there's nothing in this film that would suggest the vampires are anything but less-clever serial killers. They're not really strong or fast. They're not pale. They very obviously have to breathe - I didn't know vampires had to worry about strangulation, did you? Even with less of a budget, these things can be simulated better than they were here. And Rise has had too much money spent on it for that excuse to work anyway. Maybe they spent it all on the blue filters. Add to all this the fact that the director obviously thinks he's being clever with the nonlinear chronology, jumping around between present and different degrees of past with little organization and no warning between cuts, and the whole movie is one big nauseating headache. The first scene in the movie is there for no other reason than for Lucy Liu to kiss another woman, since it's a fairly useless introduction to her character. Although since the deadpan delivery and wooden movements are there from moment one, I guess this should let us know what to expect. Except for one line so breathtakingly bad that it had me howling for a good five minutes (see tourniquet quote below), there is nothing here that is worth five bucks, let alone the twenty it currently costs at Wal-mart. Save your money and go to Starbucks a couple of times instead.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
Groovy Quotes
(Clyde is putting a rag around Sadie's neck after she has been bled by Bishop)
Bishop: Why are you doing this? You're one of us!
Sadie: I can tell this conversation is turning you on.
Bishop: Sex and murder are the only real pleasures left to mankind. If you liked this movie, try these:
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