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It’s a situation that sets the cards into motion — believe me when I tell you I wish I could stop making poker-related puns, but there’s a much more powerful force at work here than myself — as Mike needs to raise $15,000 in three days… or his days are numbered. Numbered to zero, actually. As a sports movie, Rounders has much more in common with Searching For Bobby Fischer than any grand team sports tournament. The movie doesn’t dive into the sleek Vegas poker atmosphere, but instead scrounges into the seedy underbelly (ask yourself: what is a "seedy underbelly" anyway?) of the NYC poker underground, where the actual mechanics of card playing come far distant to the ability to read and scam the people you’re playing. Our guide to this world is Mike’s inner narration, which occasionally educates us about the finer points of the game and the system surrounding it. Now I know that a lot of movie critics treat narration in movies as if they stepped in something that recently came out of something's colon. That’s always had an air of snobbery to it, at least in my opinion, because critics (not necessarily speaking for most movie-goers) always like to harp about movies "showing, not telling." It’s a great moral high road, but if they were all that keen on just showing, they’d have to relinquish all dialogue — a lot of which is exposition, in a different fashion but the same spirit of narration — and just return to the silent film era. You know, now that I think about it, I wouldn’t be surprised if quite a few critics hate color in movies too. Darn blues and yellows, taking our attention away from mind-numbing film critique! For me, I usually love narration in film, as long as it’s done right and not overused. In the right hands, it can be a powerful tool to not only inform the audience, but to make them feel included. As if they’re behind the scenes, in the character’s head, granted special information that most people don’t have. Not to mention that narration can really put us in a mood to appreciate that we‘re watching a story, just in visual instead of printed form. Fight Club and The Shawshank Redemption are a couple of my personal favorite examples of narrative use. Mike’s narration in Rounders is what takes a nice but mostly forgettable film and gives it an extra boost of watchability. Matt Damon’s always had a talent for playing characters who have a lot more going on upstairs than the characters around him, and getting a slice of that in his little mind-speeches about poker, the games and the people is quite appreciated. Plus, the movie knows when to not break into sudden narration when we’d expect — such as when Worm tries to silently force Mike to cheat during a game with state troopers — so there’s no danger of overuse here. Rounders has had a following in its own little way, probably more for a lack of poker movies out there than being a true classic in its completed form. However, when you look at it as a small indie movie with a couple of highlights (not to mention a bevy of famous actors in small roles), it’s worth anteing up to the pot for its little charms.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
Matt Damon and Edward Norton played the $10,000 buy-in Texas Hold 'Em championship event at the 1998 World Series of Poker in Las Vegas. During the first of four days, Matt Damon had pocket Kings and was knocked out by former world champion and poker legend Doyle Brunson who held pocket Aces. John Turturro's character, Knish, was based on the unnamed character played by Michael Clapsadle in 1997's "Casino's are coming to Detroit". Writer David Levien, had been in Livonia, Michigan during the shooting of the movie and decided that he wanted to expand on the character. On the DVD commentary it's revealed that Edward Norton ad libbed a number of Worm's lines. Among them was, "She crossed her legs too fast," which is a quote from Chinatown. Groovy Quotes
Teddy KGB: It hurts doesn't it? Your hopes dashed, your dreams down the toilet. And your fate is sitting right besides you. Mike: Listen, here's the thing. If you can't spot the sucker in the first half hour at the table, then you ARE the sucker.
Mike: If you had it to do all over again, knowing what would happen, would you make the same choice?
Mike: Why do you think the same five guys make it to the final table of the World Series of Poker EVERY YEAR? What, are they the luckiest guys in Las Vegas? Mike: You can't lose what you don't put in the middle. [pause] But you can't win much either. Mike: It's like the nature channel... you don't see Piranhas eating themselves, do you? DVD Review
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