Summary Capsule
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There is a plot, in a manner of speaking. Solo is created by the military to fight guerrillas in some tropical nation that is never named and whose foliage frequently looks rather temperate. The U.S. spent a billion dollars, yet somehow managed to get a product whose computer brain is slower than the average office PC from 1990. Then there’s the fact that he tends to be squeamish about killing people, possibly because the single scientist who built him appears to be a Berkeley graduate. Solo’s programming problems first show up when he kills a soldier in a practice fight. Which raises the question, why are they using their own soldiers to test this invincible superweapon? It’s a good thing this project is classified, or it would be awkward to explain to the mens’ families: “We’re sorry. We told him to attack our new android that is ten times stronger and faster than a human. Wouldn’t you know it, it snapped his neck like a cheap pencil.” Before you know it, Solo is refusing to slaughter civilians, escaping the base in a helicopter he stole, and crashing it in the jungle near some friendly natives. Then some guerrillas plus some Americans start harassing the locals, and of course they turn to their new acquaintance for help. The rest, as they say, is history, and Solo spends the rest of the movie defending them from the various bad fellows, including a scenery-chewing Colonel Madden. The script is bad, and often hilarious. The acting, for the most part, is wooden or over the top. The camera work seems fairly pedestrian, and there’s nothing particularly interesting in the use of color. (See Terminator 2’s washed-out blues and grays or “Soldier’s” blue/tan contrast for examples that were interesting.) The action scenes are nothing new, either, but at least this director had not yet been to the “shake the camera around so we can’t see what’s going on” school of action direction. The fact that Solo manages to be topless for almost the entire film began to suggest to me that this was a tactic of distraction aimed at viewers, but since most viewers are presumably going to be straight males, I could be wrong. There’s more. While the filmmakers managed to get someone on the crew that knew how to handle an orange-kneed tarantula — and kudos to Mr. Van Peebles for handling the cuddly arachnid himself as well — they did NOT manage to get anyone who could tell them that spiders are not “anthropods.”* Someone must have also realized how it sounded for the comically pseudo-Southern General (Barry Corbin) to say, “Somethin’s cookin’ in that boy’s head,” because they make sure we know that Solo chose to look African American.** This is really too bad, because they could have created an interesting social commentary on the white fear of black violence a la Night of the Living Dead. I suspect that would have required too much depth for this kind of film. None of this should suggest that I think this movie is not worth watching. Far from it. I actually paid seven dollars at my local Bi-Mart to have it for my very own. I personally love movies that are this bad, and when I get the chance, I can watch them by the dozen. As the discerning reader probably realizes by now, there is considerable unintentional humor in this film. I’m particularly fond of the fact that Mario Van Peebles chose, instead of going the menacing Terminator route, to play Solo with a permanently puzzled expression. Everything about his performance says, “What am I doing here, again?” Mostly this is a film to watch for the purpose of mocking it, which is one of my favorite pastimes. If you’re looking for a moving, philosophical, thought-provoking action flick, go watch something directed by Kurasawa. If you’re looking for some cheap fun with friends, this is absolutely the right film for you. Now put down the weapon, before you damage yourself.
* I am an anthroPOID, and presumably so are you, unless my reviews have become popular with the tentacled inhabitants of the Planet Cephalopoda. Spiders are ARTHROpods.
Is It Worth Staying Through End Credits?
Intermission! [some sources: IMDb]
Mario Van Peebles was born in Mexico City. He is the son of director Melvin Van Peebles and has a BA from Columbia University in Economics. Groovy Quotes
Bill: Ooh, yeah, yeah, that’s a nice bug.
Col. Madden: I want the American.
Solo: You broke directive seven twelve.
Agela: If your brain is in your chest, where is your heart?
Abuelita (Indian language): The worms will feast on your testicles.
(Body flies through the wall of a building)
Col. Madden: First rule when you’re dealing with the devil: Don’t.
Col. Madden: Think about it, Solo. How’s it gonna make you feel if you kill me?
New Model: Little humans. DVD Review
Soundtrack Review
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