Summary Capsule





| reviews |
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TMWWT is a very particular movie. It's hard to imagine anyone but the Coens doing it. Oh sure, it shares a lot of similarities with a Hitchcock movie, right down to those Northern California towns he loved to film. But everything else: stylized locations, anachronistic slang, odd characters, and dark humor is pure Coen Brothers. TMWWT may be the most Coen-y of all the Coen brothers' movies. Which may or may not be a good thing, depending. The movie looks amazing; the shadowy black and white cinematography pays for a rental itself. Every Post-War Americana note is hit, from deco department stores to "mens magazines". For a fan of art deco and the noir movies, every frame of the movie is like manna from heaven. On one level, the movie is a near perfect mimic of the noir classics, a tight, twisting plot with doomed characters and a big blue-plate special of ennui; touching, pitying, and surreally engaging all at once. On the other level, it's a deadpan satire of the genre's convention. This left a bad aftertaste however, the Coens seem impossible in playing a movie straight. The little jabs fit well into the plot, but seem to undermine the movie's deliberate, serious tone. It's a minor quibble, TMWWT is of a reminded why I love the Coen brothers. Their stylized realism doesn't exist in reality or fantasy, but only "in the movies." Call them cold, but the Coen's morally conflicted characters and icy deadpan give every movie that indefinable "Barton Finkness" that I adore. TMWWT is the Coens at their most Coen-y. Which may or may not be a good thing, depending. |
| extras |
![]() 2001 Rated R Film Noir Mystery Director
Starring
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Is It Worth Staying Through End Credits?
We have no idea (but we'll let you know soon!)
The Movie Store!
Intermission! [some sources: IMDb]
Joel Coen and Ethan Coen came up with the story while working on The Hudsucker Proxy. While filming the scene in the barbershop, the Coens saw a prop poster of 1940s haircuts and began developing a story about the barber who cut the hair in the poster.
The movie was filmed in color, then printed in black and white by special processing. However, at least one print was released with the first reel in normal color due to an error at the lab.
Official and Not-So-Official Websites
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Ed Crane: He told them to look not at the facts, but at the meaning of the facts. Then he said the facts had no meaning.
Birdy Abundas: You know what you are? An enthusiast.
Riedenschneider: The more you look the less you know.
Ed Crane: ...maybe there I can tell her all those things they don't have words for here.
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