Summary Capsule
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The plot, such as it is, seems to be: Escaped convicts meet Yakuza contacts who also have kidnapped girl with them, escaped convict has attack of morality, gunfire ensues, girl is rescued, and the remaining Yakuza chase the convict and the girl into the forest. The interesting side note to this plot (apart from the fact that it only remains that simple for around 9 minutes of the film) is that the forest in which the chasing, shooting, and martial arts is taking place also brings people back from the dead. So the plot in short is: Yakuza chase convict and girl through forest of zombies. I’m not going to go into the plot any more than that in this review -- but what I will say is that if you’re a ‘needless plot complication’ connoisseur, then this is the film for you. By around 30 minutes in, you’ll be scratching your head and wondering what the hell's going on. As you might expect from a Japanese action/horror film, there are 3 things grossly prevalent in this picture: Gunplay, Martial Arts, and Gore. More people get mangled in more excessive ways in Versus than has ever even been conceived outside a Japanese film; and there are a number of important object lessons to be learned by them, such as the dangers of punching through someone’s head with your fist (their eyeballs get stuck to your hands, and it gets messy). Everything about this film is geared to ‘cool’. An abundance of black leather trenchcoats, multiple pistols, and black sunglasses adorns the cast, and I’m fairly sure that some of the pithy one liners would be much better had the subtitling been of a little higher quality; sure you can still understand the basic gist of what’s being said, but the devil is in the details, as they say. The fight scenes are predictably well choreographed, and the confrontations with the zombie hordes are great fun, but plot, which should be the glue holding the fight scenes together, is so utterly stupid I’m fairly sure the scriptwriters were making it up as they went along: “Hey, we need another fight here -- let's make him your long lost twin brother after vengeance... no, we’ll not bother explaining that... yeah, you can film the fight now”. That’s not to say that Versus isn’t worth seeing. It’s just not worth taking seriously. Get a few friends together who are in the mood for crazy Japanese action zombie splatterfest, slip your brains into neutral, and sit around enjoying the mindless violence and unintentional comedy of one of the weirdest zombie films since Brain Dead.
The first is that this happens to be one of those movies that makes, more or less, no freaking sense whatsoever. It could well be due to its connection with Japanese cinema, which is only second to their nation's obsession with All Things 3rd Grade in terms of inexplicability. If a Japanese film puts forth a coherent thought or a logical plot point, that's a mistake on their editor's behalf. Sure, some might argue that I, an ignorant and bumbling Westerner who sneezes in public and can't hold my saki, is in no position to judge. Well, phooey. I'm a reasonably intelligent person, and if a movie like Versus has lost me after the first half hour or so, then it's not my fault. Besides, it's not like Japanese culture is so vastly different that movie patrons over there get it; contrary, they're all just as befuddled as we are, but they're required by law to pretend to understand the conventions of film and anime in order to perfectly conform.
Other than reducing me to a childish state of passive whimpering, the other gift Versus bestowed on me was the gift of time. For an action film loaded with guns, swords and zombies, there was plenty of non-action going on. This is a sign of an independent or first-time filmmaker: they have to try so hard, within a limited budget, to make things look cool... and when they achieve that, they want to stretch it out as long as possible to make very sure that the audience notices. Thus, in Versus, a typical battle scene begins like so:
2. Don't get your hopes up. 3. Everyone points whatever they're holding at each other, in an endless stream of "Mexican Standoffs" made popular by Quentin Tarantino and his ancestors. Every. Single. Battle. begins like this. Even the guys who just have a sword points the sharp end at the guy with the long-ranged automatic rifle 25 feet away, as if the mere presence of the sword's pointy bit is sufficient deterrent. 4. Nobody does anything for a good long while. 5. Holding their COOL weapons in COOL poses, the characters start talking to each other, perhaps wanting to reason things out, but more likely just comparing penis sizes and boasting about their ability to chuck a football 75 yards. 6. Someone starts to do something, everyone reacts, then they freeze once more. 7. This is high-falootin' ridiculous. Eventually the battles happen, and they're not half bad, but I got to the point where I was fast-forwarding through these Pose 'n Pause scenes that happened constantly. If you took those out, the movie would have lost 15 minutes of its running time. Seriously. Anyway, I'm firmly on the fence here. Versus can be really cool or incredibly trying, based on your mood and level of geekitude, and I'm not about to take a gamble with such a chancy title, unless the Zombie Samurai make the play-offs.
So where do the zombies come from, you ask? It seems that some gangsters have been using the forest where this all takes place as a body dump. It also means some of the zombies have guns, which work very well for having been buried under the ground for a while. Oh, and the gangsters have plans to sell The Girl (nobody here has names) to The Man so he can use her Blood of Resurrection to open the Hellgate Equivalent and give himself ultimate power.3 The Prisoner is of course opposed to this, because he knows he is better looking than The Man and therefore destined to be our protagonist. I highly recommend you watch this with the subtitles on, because The Prisoner's mumbly voice fits him much better than the silly "big-jawed white fellow" Dudley-Doright type voice they gave him in the dubbing.4 He is not a high-energy kind of guy. One of the more fun elements to the Siblings and I was — spoiler here — there's a cycle to all of this. It's all been going on since the beginning of time, though the end of the film reveals it may not be quite as we think it is at first. The Girl has always been pulled back and forth between these two, trying to make it come out right, and she's never quite succeeded completely. One of the film's subtler touches is the fact that the Girl wears white, and both men wear black, suggesting the protag/antag relationships are also not exactly what they first appear. There's lots of action, considerable style, and not a great deal of depth to this film, but it's at least as worthy of a look-see as Underworld or Ultraviolet or Aeon Flux or any such style-over-substance flick. For that matter, I found it more interesting than either of those, and yards beyond Returner - at least The Girl doesn't stop in the middle of her crisis situation to go shopping for impractical clothing. (Though she does have the magical power to keep her white tunic white despite being repeatedly thrown to the ground.) This film, like so many others with cult potential, is best watched in a group. I'd offer to lend you Siblings 1 and 2, but we'll be busy watching X3.
1. Direct quote, and the opinions quoted in this review are not held or endorsed by Shalen. And Sibling 2 is a lot meaner than Shalen, so Shalen is afraid to misquote her.
Is It Worth Staying Through End Credits?
Groovy Quotes
Prisoner KSC2-303: I'll play with you later.
[Shooting someone in the gut]
Fighter: You can't hit me! I have five hundred times faster reflexes then Mike Tyson! [Note: As none of the characters in the film come with names, the names below are the names given to them by me and my housemate. That is all.]
[After Our Stoic Hero tells the Yakuza to let their captive girl go]
Comedy Runt Yakuza: They come back!
Heroine in Peril: Why were you in prison?
Main guy: I didn't mean to save you. They just pissed me off. DVD Review
Soundtrack Review
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